ARCHIVED — A William G. McGrath

Archived Content

Information identified as archived on the Web is for reference, research or recordkeeping purposes. It has not been altered or updated after the date of archiving. Web pages that are archived on the Web are not subject to the Government of Canada Web Standards. As per the Communications Policy of the Government of Canada, you can request alternate formats on the "Contact Us" page.

A William G. McGrath

COPYRIGHT REFORM PROCESS

REPY COMMENTS


Documents received have been posted in the official language in which they were submitted. All are posted as received by the departments, however all address information has been removed.

Reply comment from William G. McGrath received on October 28, 2001 via e-mail

Subject: Criticism of Submissions



CRITICISM

OF THE

SUBMISSION OF THE

CANADIAN RECORDING INDUSTRY ASSOCIATION

IN RESPECT OF

THE CONSULTATION PAPER ON DIGITAL COPYRIGHT ISSUES



Membership in the WIPO Treaties



CRIA asserts that the WIPO treaties should be ratified as quickly as

possible. It notes that years after the initial treaties have been

signed, Canada has not yet ratified the treaties and urges

compliance as soon as possible.



I would like to point out that while twenty plus countries have

ratified the treaty thus far, this is a distinct minority of the

more than 160 countries with Internet access. I would hate to see

Canadians loose the Internet freedoms that continue to be enjoyed

in the vast majority of countries, just to meet some obscure

deadline.



Besides, there is really no reason why prudence will prevent

industry from making works available on-line - especially now that

Napster has been shut down. In fact, such initiative would reveal the

true nature of problems with on-line commerce and lend considerable

weight to any claims that industry might wish to make.



CRIA make the assumption that a single, 'one size fits all'

cultural protection package should be implemented by all countries.

Reciprocity it is felt, is essential to deter copyright infringement

in a global environment. However, we must recognize that, just as

national systems of law have not prevented crime within countries,

so too, it is unreasonable to expect international law to eliminate

crime on a global scale, especially organized crime. Such

expectations, while truly noble and high minded, are unreasonable

and legislation crafted with these objectives will probably fail.



Then there is the matter of constitutional court challenges,

to laws such as the DMCA, in the United States. Authorities do not

expect such laws to withstand these challenges. Canada should wait

and observe the outcome of such cases, as the results will no

doubt lead to revised laws. As well, we should take note of such

atrocities as the Dimitry Sklyarov case and do our best to avoid

duplicating such obvious errors.



Finally, it seems to me that the impact of the laws and technologies

contemplated will be far reaching. Proper evaluation and input from

the fields of cryptography and computer science should be solicited,

prior to certification, for example, because organizations such as

CRIA clearly have not done their homework on the implications of

their proposals.



CRIA believes that rights holders should have 'exclusive rights' to

determine whether and how their works are copied and distributed.

While atrocities such as Napster have no doubt coloured this view,

the notion that content should regulate the Internet is

preposterous. The Internet is much more than a medium of commercial

distribution. Thus, the changes contemplated should not negatively impact

the functionality of the Internet in general.



For example, it may be thought wise to adopt an outright ban on

Napster type, peer-to-peer copying though the Internet. However, I

am told that certain Napster-like facilities enable the free

acquisition of rare, uncopyrighted, recordings of obscure jazz

artists. These recordings are available nowhere else and should,

therefore, remain unaffected by new legislation. An outright ban

would prevent this.



While I agree with the banning of Napster-type infringement, I also

realize that the procedure of 'copying' is central to digital

technology and has to remain unaffected by new laws. As Nicholas

Negroponte at MIT has pointed out, bits and atoms are different.

Industrial era concepts of property are rooted in the physical,

material notion of the atom. Products are physically manufactured.

Cars, tomatoes, records etc., cannot be separated from their material

existence. If one wishes to purchase a product, one has to purchase

it physically. With the bit things are different. The bit allows us

to separate information content from physical existence. Thus,

information, in its pure form, is an abstraction, both replicable

and communicable. In fact, both these concepts are essential for the

normal functioning of information technology and the attempt to

restrict or regulate information in these senses will impair its

normal use for legitimate purposes.



From a technological perspective, this makes the task of copyright

restriction very difficult, if not impossible. How can the computer

distinguish between a legitimate and an illegitimate copy of a

copyrighted work? For example, suppose the owner of a CD wishes to

make a copy of the work. It could be a backup copy or a gift-copy.

How is the technology to discern the motive for making the copy?

This is a question of human intention. The backup copy is arguably

legitimate, whereas the gift-copy is not. One cannot prevent the

latter without also preventing the former. Such a strategy has

serious implications for information technology in general, and is

to be seen as an attempt to limit, restrict or redefine the

technology and, where such initiatives concern digital content, as

a curtailment of free speech. Another example, might concern the

ability of the owner of a collection of CDs to develop a music

collection by copying approximately 130+ CDs to a single 80GB (or

larger) hard disk. Doing so, would allow the owner to automate his

collection and develop different programs of music for different

occasions, thereby reducing the amount of work involved in

furnishing his dwelling with continual background music. At the

present time, this is completely possible and infringes no copyright.

There is no reason to prevent such patterns of consumption in the



future, yet certain approaches to copyright infringement, such as

encryption, will most certainly do so. As a society, we may have to

make a choice. We may have to decide about the future of computing.

One function in principle, of a computer, is an information storage

and retrieval device. But, should it, or should it not, have copy

capability in the future? This is most certainly a freedom of

thought, freedom of speech, freedom of the press issue.



In the digital domain, what exactly is a copy? Is it a file of

source code, a binary file, an image file, its formatted form,

its compressed form, its encrypted form, its form in an IP

packet? None of these is an original file. All, in one sense or

another, are derivatives and 'refer back' to something else, the

content of which may or may not be recoverable. How do we define

the relation between an original sound file and an MP3? The latter

has a lower bit count, and is therefore not an exact replica of the

original. Is one a 'copy' or a 'derivative' of the other? Are these

the same? How similar do two files have to be? Is a similar title,

score and instrumentation sufficient? At what point are there two

different, original files and at what point is one a copy or

derivative of the other? These are questions that the information

era thrusts upon us. They never arose in the industrial era, when a

copy was one thing and an original another. But we shall have to

attend to these subtle distinctions now, for we shall have to

distinguish between the making available of an original work and its

derivatives.



Clearly then, the extension of copyright law into the digital

domain is problematic. The notion of physical property is central to

copyright and yet it cannot be adequately extended to information.

It seems to me that different ideas are needed. Copyright law is not

that old and was brought into existence during the industrial era.

Is it so radical then, to suggest that perhaps the information era

also requires its own concepts? Would it be too bold to suggest that

copyright law in the digital domain should be based upon new,

appropriate ideas? If it is felt that the notion of 'making

available' fills this bill, I would like to point out that CRIA only

addresses this issue from the original/copyright/server side.

Copyright issues on the private/user/copy, professional/system

-administrator/copy side remain unaddressed. Such an oversight

demonstrates a horrendous lack of balance in the CRIA submission.

Surely consumers needs should carry some weight, even in the vision

of the CRIA.



For example, as I explain below, it is unreasonable to expect

that copyright law can completely eliminate illicit copying. If then

rights holders have no practical choice but to accept some

unauthorized copying as a fact of life, perhaps this acceptance

should structure the response of industry. I do not think it is out

of line, to think of the Internet as a new market, or digital

technology and new financial models, as a business frontier for the

recording industry. Further, it is a mistake to try and import old

business models intact and the government of Canada should be on its

guard against submissions that make such assumptions or attempt such

a transfer. It is reasonable, therefore, to expect some sacrifices

to be necessary on the part of industry. Change happens. Technology

evolves. Markets naturally reflect this volatility. Witness the

recent collapse of the venture capital market. Why should the

recording industry by any different?



Along this line, if it is recognized that complete compensation for

every copy of a work in existence is beyond realization, then a

different approach to royalties may be needed. In the information

era, it may well be that a certain amount of illicit copying will

have to be tolerated. An appropriate strategy to this problem

therefore, will seek to minimize such duplication in order to

maximize the number of legitimate copies that are sold. It is my

suggestion then, to ignore the duplication of copyrighted works for

personal use. The rights holders have received some compensation

for the original copy at least, and the cost of adequately

enforcing laws at the misdemeanour level would be astronomical and,

therefore, impractical. It is not a wise use of resources to assign

even one enforcement officer the task of pursuing a high school

student, who copied a friends CD, through the court system. Even if

successful, the result of this kind of action is minimal and the

industry would generate considerable negative publicity and have

to rely upon a deterrent effect to enforce the law in the majority

of cases. Rather, it is my suggestion to the CRIA that they focus

their efforts and resources upon criminal activities, such as the

black market, and initiatives such as Napster, which facilitate the

illicit copying of works on a large-scale. Existing laws are more

than adequate to deal with most of these problems, in this country.

The real problem here is one of enforcement of existing laws - not

an absence of law.



In fact, the problem is similar to that faced in other industries.

Inventory shrinkage is a problem in the construction and retail

industries. Shop-lifting and theft are real problems for these

businesses and they are not going to disappear. How do they cope? It

is normal for the construction industry to order materials over and

above estimated needs, so that if a 'few' pieces 'go missing' there

will be no inconvenience. Similarly, department stores and record

stores know what their losses from shop-lifting are. Retail prices

are calculated with this in mind. The result is that consumers end

up paying for these losses. Is there any reason why information

industries should be any different? I am not suggesting that this

is fair. There is nothing just about theft. However, raising prices

is one way for rights holders to regain some of their lost

compensation.



This is quite different from other strategies. Since illicit

copying is a problem, they have decided to eliminate all copying

of music in future. Instead, music will be leased, in a 'live'

fashion, only. Many people find such paradigms revolting. The

definition of consumers as 'gullets' whose only purpose on earth

is to 'gulp products' and 'crap cash' is obscene. I find such a

view of life objectionable and the attempts to force me to conform

to its patterns terrifying. Music, which has been called 'a gift

of the gods,' should not be abused in this way.



If the Government of Canada has any doubt that the future of

Canadian culture and the freedom of information and technology are

threatened by such ideas, I refer them to two documents on the web.

Please note that I am in no way connected with or support the

actions of 'Beale Screamer,' but find the information, concerning

the future of computing, revealed in these documents to be truly

chilling.



1. http://www.nytimes.com/2001/10/23/technology/23PIRA.html?todaysheadlines

2. http://www.cryptome.org/ms-drm.htm



CRIA sees new laws, such as the WIPO treaties, as the solution to

the problem of counterfeiting and other forms of piracy. This is naive.

CRIA seem to assume that once the WIPO treaty is ratified, and new

laws are in place, copyright infringement will disappear. This is a

mistake.



Throughout human history, irregardless of era, country,

civilization, or continent, crime appears. No system of law has

successfully eradicated it. During medieval times children were

hung for stealing a loaf of bread, in the middle east, even today,

limbs will be amputated for the same offense. Yet crime continues.



Where ever rules are made, there seems to be something buried deep

within human nature that sometimes tempts people to break those

rules: making a U-turn, exceeding the speed limit, running a red

light, double parking, shop-lifting, cheating on their income tax

and so on. These offenses are commonplace. No matter what the

law, someone will break it.



This does not excuse crime, of course. It is not our intention to

justify the breaking of the law, even in the matter of a

misdemeanour. Rather, we would like to point out that CRIA's

expectations of what law and technology can accomplish are rather

misguided and uninformed, and thus a poor foundation for legislation.



It is completely unreasonable to assume that new laws and

technology will completely eradicate copyright crime in the future

information economy. Millennia of human experience, and the brute

facts of human nature, suggest that trying to construct a legal

system on the basis of puritanical zeal is nothing less than naive,

uninformed, foolish and downright silly. Moreover, we should be on our

guard against crafting inappropriate laws originating in such visions

because they could lead to much injustice.



Rather, an enlightened perspective will accept the reality of human

nature and adopt a different strategy towards the problem of

copyright infringement. It will accept the fact that some crime will

occur, regardless of law or technology, and adopt measures that seek

to minimize the problem and redress its most serious objections.



Another mistake that CRIA makes is in assuming that all copyright

infringement is the same and should be treated as such. In fact,

there are at least two distinctly different types of copyright crime.

One is personal and private infringement. Another of these is organized

crime. It occurs on a large scale, and for profit. Experience with

other industries indicates that any lucrative market attracts this kind of crime. For example, 'Rolex' watches, 'Levi' jeans, 'Gucci' shoes and

so on are all available on any black market. The success of information industries then, can be expected to attract, and continue to attract,

such attention. In a sense, such businesses are a victim of their own prosperity. No matter what counter measures companies use to discourage illicit duplication, the rewards are sufficient to justify whatever risk

is involved in illegally duplicating successful products. Regardless of

the laws and security protection methods used, I fully expect illicit

duplicates of copyrighted information products to be readily available

on the black markets of the future.



It is a mistake to think that this is a problem that requires new

laws and new technology. Our existing laws and technology are

perfectly adequate to deal with it. Rather, this is a problem of

enforcement. The organized, international networks of illicit

duplication, and distribution will continue to function regardless of

law and technology. Laws do not stop criminals. Stopping them requires adequate systems of investigation, prosecution, and enforcement. I

would suggest that the way to do this is to strive for greater

cooperation between international police agencies such as Interpol,

national police forces such as MI5, the FBI, the Surete, the RCMP and

so on, and local police agencies. I would even go further and

encourage copyright holder industries to create their own specialized, investigation agency and use it to declare war on the sources of

black market copyright crime. This, I believe, would result in vastly increased legitimate sales and profits.



Strategies such as encryption will not deter such networks of

organized crime. Rather, it must be remembered that such networks

have the resources to fund large, structured initiatives whose only

purpose is to break whatever encryption is being used. Perfect

encryption is unattainable and flaws will always be found. It is

simply a matter of enlisting the mathematically sophisticated talent

of Russia, India, China or where ever, to find those flaws. Laws

against circumvention in this country will do no good without

corresponding laws and enforcement in foreign countries, where

bribery of the local police forces should be taken as a given.

Once the flaws are found, the results can be shared across the

entire network and illicit duplication of information products can

proceed unimpeded, at least in theory. Indeed, they may even offer

such information for sale on the black market, if it was judged to

be in sufficient demand.



The dream of an international economy without infringement is

beautiful, but hardly realistic. The recording industry's desire for

an economy without crime is inadequate for its realization.

In fact, the ideas that CRIA propose constitute a cure that is worse

than the disease. On the one hand, it will not eliminate copyright

crime and so lacks that virtue, and on the other hand it will

dramatically impair other users ability to compute and restrict

their access to data, programs and ideas, and so has these vices.



For a better understanding of the history and real nature of

cryptography, I recommend reading 'Crypto' by Stephen Levy. For

example, the Enigma/Ultra dual during WWII, dates from the earliest

days of computing and shows just how interrelated the two

disciplines of cryptography and computer science are. Indeed

the recent DeCSS affair is very much a replay of this historical

conflict. Such an understanding is essential to grasp the

imperfect and fallible nature of cryptography, and its

limitations.

On my analysis, it seems that the CRIA view of technology is

based upon its experience with stereo equipment. With respect its

content, I believe the music industry is used to thinking of the

physical hardware necessary to reproduce sound in exclusive,

specialized, single-purpose terms. For example, a cassette deck

cannot normally be used for recording data. On the other hand, a

computer is designed as an inclusive, multi-purpose instrument.

It can be used for email, video conferencing, data storage as well

as to play music or games.



All in all, it seems the CRIA wish to turn the personal computer

into a stereo system - at least in terms of its design values. The

desire to restrict the capabilities of the PC is contrary to its

rich and diverse heritage. It seems to me that the music industry is

moving into the digital domain - not vice versa. It is the CRIA then,

that should be adapting to the Internet and not the other way

around. If the CRIA need a specialized, digital sound system, they

should design and manufacture one. I do not believe this will solve

their security problems any more than their current proposals,

however, such a machine will not present the computer industry with

any headaches.





Making Available



CRIA asserts that the right of 'making available' is no different

than the exclusive right of reproduction enjoyed by copyright

holders in the past. Nothing could be further from the truth.

Firstly, this conception of a 'copy' is defined only in terms of the

server side of a transaction. It does not address the idea of

'participatory' or 'personal' copying. Indeed, duplication is an

essential characteristic of the digital medium, and users have the

ability to 'manufacture' many copies of a work in a way that is not

enjoyed in other media. Indeed, in other media, one places great value

on whether or not a work is an original or a copy. In the digital

domain this question has no value and there is no difference

between an original and a (legal) copy. So too, the notion of user

participation in the fabrication of a CD, purchased and downloaded,

via the internet, is not addressed. Does the owner/user/consumer have

a right to make a copy of the work? This is radically different

from industrial era copyright and far from the exclusive control

enjoyed by the rights holder previously. Such notions of 'personal'

copying have to be addressed. Is 'educational' copying going to be

considered commercial or personal?



Let me be clear. In no way do I support the unauthorized

exploitation and duplication of works by agencies such as Napster.

But neither do I support the criminalization of mathematics or the

repression of technology and its legitimate use. 'Making Available,'

as conceived by CRIA, is a vague, unbalanced, inadequately developed

idea. Until the CRIA can be specific, we have much to fear from such a proposal, because of its impact on other aspects of computing.



Legal Protection of Technological Measures



1."Law and technology must be used together to maintain adequate

incentives for creativity."



This assumes that this is possible, that law and technology can be

used in this way. To the best of my knowledge this is not the case.

Law cannot eliminate crime, and cryptography is imperfect. Moreover,

many users have legitimate reasons for circumventing encryption such

as making backups, or organizing collections of songs. If this is to

continue, how is future technology to distinguish between legitimate

and illegitimate copies and other issues of human intention?



As well, this position dumps responsibility for security and

encryption upon hardware manufacturers. Manufacturers do not have

the capability to do security research or development. Will they be

liable if algorithms are cracked? Moreover, the vague notions put

forward by CRIA are anything but specific, and little more than

'magic bullet' or 'black box' solutions. If the CRIA demand

encryption, then they should fund its research and development,

articulate an international standard, and request manufacturers to

comply.



Finally, CRIA's submission offers no assessment of the effect

these changes will have upon existing digital domain technology and

users. It expresses CRIA's vision, but is not based upon facts or

evaluations.



2."TPM's have the capacity to deter piracy and encourage rights

owners to use new media..."



This assumes that cryptography is infallible and that TPM's

will not be broken. Throughout history this has never been

possible. What is the reason for assuming that it will?

Is the development of new media the CRIA's real motivation here?

Do they wish to use the law to establish a new music medium at

the expense of the old?



3."...a TPM is only as good as its legal protection..."



4."...technical systems can be hacked."



These assume that law stops crime, rather than establishing

penalties, and that laws will stop crackers. Where ever there are

sufficiently high incentives, there will be crime. What is needed

is enforcement of existing laws. Unfortunately, most law

enforcement officials do not have a highly technical nature,

and most security gurus prefer the rewards of industry. A private

security agency could combine the talents of both groups and

investigate copyright based crime.



5."...should prohibit both the act of circumventing TPM's and the

manufacture and dealing in circumvention tools..."



In many cases circumvention is necessary. Cryptography does not

exist in a vacuum. There are questions of fair use, of personal use

such as making backups, collections etc., of educational use, such

as making duplicates, of archival use, such as decrypting old

documents, and of professional use, such as system administration.



In addition it is wrong to suggest criminalizing a branch of

mathematics. Perhaps we should criminalize algebra, or statistics

along with cryptography? It is wrong to prevent cryptographic

research or silence cryptographic discussion. These are freedom of

thought and freedom of speech issues, and most citizens of

democracies treasure these private rights even though, like myself,

they may rarely use them.



6."...limitations to the legal protection should be focused narrowly

enough to preserve the adequacy and effectiveness of the

prohibitions on circumvention."



If anything this is backwards. Legal protection should focus on

specific methods and algorithms to be used by rights holders.

Disallowing tampering with these and allowing all else is much more

acceptable to industry as a whole than trying to limit circumvention.

Who knows what will be needed in five years time? If needed,

updates or revisions of an algorithm, in order to preserve its

efficacy, are easy and possible. Overall, the onus should be on the

rights holders to supply suitable algorithms. In general, law

is prohibitive and specific. What the CRIA really want here is to

prevent tampering with their algorithms with criminal intent.

(Assuming that intent is an effective way to distinguish personal

from criminal duplication.) Otherwise, there are too many needed

exceptions for a general prohibition on circumvention to succeed.



7."Allowing circumvention in cases where a traditional copyright

exception applies, would totally undermine the protection of TPMs."



This is the atoms and bits issue again. As outlined above, a

different domain requires different rules and Canada should beware

of submissions that try and import old business models intact. The

citizens of this country have no obligation to support and maintain

the CRIA shareholders standard of living. As above, I again

recommend CRIA re-evaluate its 'traditions' and adapt to change.



8."We fail to identify any [non-copyright] issues that would

be genuinely relevant [to issues of intellectual property in the

digital domain].



This is a basic confusion of the practice of law with the making of

law. Law is always about something, hence there are always issues

prior to the existence of law. And they are numerous.



There are issues concerning encryption, circumvention, fair use,

personal copies, definitions and adaptations to the digital domain,

the differences between the bit and the atom, and many more.



I believe CRIA has to rethink much of its submission. It needs to

begin from the clean foundation of a new business model or models.

It needs to define 'copy' and 'copying' in ways that are sensitive

to the technology, and the other needs of users. It needs to define

'property' in digital terms rather than atomistically. It needs to

clearly define an owners rights with respect making backups,

collections and other 'fair use' patterns of consumption, such as

educational use, in such a way as they are clearly distinguished from infringement. Above all, CRIA needs to evolve its vision of the digital marketplace. Is it going to accept the existence of crime? Is it

going to accept the unavoidability of some infringement? How does

it intend to cope with these inevitable facts of life? As the cost

of doing business? Is it going to re-price its products to take

piracy into account? Is it going to adopt new strategies that

'magnanimously' accept low levels of piracy as a form of market

development or promotion appropriate to the global scale of the

internet? Is it going to promote 'originals' as having a

'superior bit count' and thus superior audio quality compared

to MP3s? Many of these ideas are possible, but it is up to the

CRIA, and other rights holders. Their future is in their hands

and the hands of legislators. What they have to learn is that,

on the Internet, theirs is not the only game in town, and conduct

themselves accordingly.





William G. McGrath

(Address removed)






CRITICISM

OF THE

SUBMISSION

FROM

INTELLECTUAL PROPERTY INSTITUTE OF CANADA

ON THE

CONSULTATION PAPER ON DIGITAL COPYRIGHT ISSUES







IPIC claims to be 'Canada's *pre-eminent* association of

professionals, who specialize in intellectual property including

copyright....' [and] 'IPIC members can be found in all areas of

the Canadian "knowledge economy"....'



While IPIC's legal expertise is, no doubt, impeccable, it is

notable that this high level of knowledge and experience does not

extend to the technical side of the digital domain. IPIC's

submission, is confined to the legal aspects of copyright. It is a

mistake to assume that the digital domain is no different from the

physical domain to which copyright law has been applied for many

years. In point of fact, these differences are why new laws are

being requested.



Clearly then, we must distinguish the making of law from the

practice of law. Law is always about something, hence issues, of one

kind or another, always precede the making of law, which precedes

the practice of law - its application. In this matter, then, it is

worth observing that IPIC speaks of a desired outcome, in terms of

copyright law, and not to the issues at hand, as they manifest

themselves in the digital domain. IPIC's insights, then, while of an

expert nature, are unbalanced, and do not reflect any consideration

of the present technological concerns or of the digital domain to

which they will apply.



IPIC makes a number of objectionable claims that are worthy

of criticism.



1. "...copyright law generally, provide[s] 'exclusive' rights to

creative individuals which allow them to determine whether and how

their works are copied and distributed."



2. "Electronic commerce in copyrighted products requires a healthy

trading environment where only legitimate copies of works are

transmitted, under the terms permitted by the rights owner."



Following Nicholas Negroponte of MIT, I shall affirm that

bits are different from atoms. Industrial era concepts of property

are rooted in the physical, material notion of the atom. Products

are physically manufactured. Cars, tomatoes, records etc., cannot

be separated from their material existence. If one wishes to

purchase a product, one has to purchase it physically.

With the bit things are different. The bit allows us to

separate information content from physical existence. Thus,

information, in its pure form, is an abstraction, both replicable

and communicable, without physical referent. In fact, both these

concepts are essential for the normal functioning of information

technology and the attempt to restrict or regulate information

in these senses will impair its normal use for legitimate purposes.



In principle, a computer is many things, but for these

present purposes, I shall refer to two. A computer is firstly,

an information storage and retrieval device. In order to function,

it must move information from one location to another and be able

to modify it as needed. For example, a computer must be able to

copy a file from its hard disk to its floppy disk or upload it

across the Internet to another computer, which then copies it

to its own hard disk. Hence, we see that the ability to copy

information is a functional characteristic of digital technology.

Secondly, a computer is a multi-purpose machine. It can be used

for many tasks: email, video-conferencing, data storage, as well

as playing music or games. It is able to do this because, at the

most fundamental level, it treats all data identically - a bit,

is a bit, is a bit. At a fundamental level all digital

information is the same. It does not matter whether it is

copyrighted or not or to what program or user it belongs. It

functions in a purely objective sense, and has done so for more

than 50 years. Changing the basic design specification of

digital technology now will have far-ranging, serious, long-term

ramifications for the rest of the computing industry. Hence,

control should remain with the computing industry in general and

not be transferred to copyright holders via legal proxy.



Hence, we see that the principle of copyright law is in

conflict with the very nature of digital technology. As in the above,

(1.& 2.) we see that IPIC is demanding that copyright holders have

control over how and where their property is copied. Such a right

would effectively compromise the control a computer owner has over

his machine's copying abilities in other circumstances. For example,

either an owner can make a copy of a file downloaded from the

Internet or he cannot. It could be a copyright file or a

non-copyright file. The computer cannot tell the difference. So, in

order to give IPIC copyright holders the kind of control they

demand, computers would no longer be able to have a general purpose

ability to copy files. This would obviously constrain the computer

owners ability to run other programs, if indeed the system was

capable of copying information at all. Clearly, the singular,

specialized nature of communication, as desired by IPIC is in

conflict with the generalized, multi-purpose nature of digital

communication over the Internet, as it exists at the present time.

For example, suppose a retailer wished to sell a customer a CD via

download over the Internet. In order to receive and fabricate that

product, the customer's computer must have a copy capability. But

there is nothing stopping him from making more than one copy. So

should the customer's computer have copy capability or not? It is

quite normal to make multiple backups of a file in other

circumstances, but to do so in matters of copyright, as envisioned

by IPIC, would be infringement. There are other factors involved

here of course, but overall, the computer requires replication

capability and the stereo system does not. At the design level,

these are distinctly different technologies: one general, one

specialized. In moving into the digital domain, both industry and

copyright law are going to have to make adjustments and allowances

for the nature of digital technology. It would be a mistake to

place physical restraints upon the digital domain, which is what

IPIC seems determined to do, possibly, in order to preserve its

pre-eminence with respect the status quo of copyright law.



3."If the government does not adopt provisions relating to

technological measure, the playing field will not be level in the

digital environment since such protections already exist in the

United States, Europe and other countries."



Elevating statutes such as the 'Digital Millennium Copyright

Act' to the station of legal ideal is a very dangerous proposition.

The DMCA is under serious constitutional challenge in the United

States and not expected to survive. Moreover, the DMCA led to the

Dimitry Sklyarov affair, which is surely one of the most outrageous

abuses of law in recent years. That IPIC seriously considers the

DMCA to be an example of judicial propriety and a level playing

field is proof positive of its lack of both balance and a sense of

justice. Prudence and caution are a better course of action in

this matter.



Moreover, the issues associated with the DMCA are truly

draconian. These go far beyond circumvention issues. Not only does

the DMCA prevent cryptographic research, and the publication of

findings, but even the discussion of the subject by professionals.

There is simply no way to justify the criminalization of

mathematics, the loss of free speech, or the repression of the

legitimate use of technology. This in no way is a 'level playing

field.' As well, now that existing law has proven adequate to deal

with current crises such as the Napster affair, Canada has the

luxury of time with which to assess future matters of copyright.



4."...a prohibition on the devices and services that enable

circumvention ...[is] critical....In the absence of such a

prohibition, a copyright owner's only recourse is to attempt to

detect individual infringements and bring a multitude of actions

against the infringers."



Unfortunately, circumvention is required in a multitude of

legitimate instances, and the computer is unable to determine what

is infringement and what is not. For example, an owner of a CD may

wish to make a copy of it. It may be for backup purposes or it may

be to give to a friend. The former is arguably a fair use copy,

whereas the latter would probably qualify as infringement. Whether

or not the law is broken here is a matter of human intention. How

can the law, or the computer, predetermine this? If there is a

blanket prohibition on circumvention, the owner looses his

legitimate, fair use right. If not, infringement is possible. But,

until it has actually occurred, there has been no crime and the

owner should not be penalized in advance. It seems that the request

for a blanket prohibition, against all types of circumvention,

assumes, in advance, that all copies of copyrighted works are always

infringement, and that all users who make such copies are always

guilty of a crime.



This is not the case. In addition to backups, it is common

for individuals to 'compile' collections of CDs. For example, a

typical 80GB hard disk can hold 130+ CDs - many more if compressed.

Many individuals consolidate their music collections into such 'juke

boxes' to facilitate organization, automation and convenient

playback. At the present time this is possible, and legal under fair

use provisions. But, if encryption and anti-circumvention legislation

were enacted, such actions would not be possible.



As well, professional system administrators are responsible

for the integrity of the data on the computers under their care. As

such, doing regular, daily backups of data and systems is a

commonplace activity. This includes making copies of copyrighted

information such as copyrighted computer programs. As well, such

professionals are responsible for system security. If an email

account under their care, were sent a message with an encrypted

attachment, from a suspicious address such as www.rootkit.com,

a good administrator would assess the security threat to their

system, by decrypting the attachment and scanning it for viruses.

Again circumvention is a necessity.



As to the alternative, the pursuit and prosecution of

infringers, it is worth noting that other industries have to put up

with similar situations. For example, the loss to shop-lifting in the

retail industry runs into billions every year. Retail responds to

inventory shrinkage by raising prices to compensate. The consumer

pays the bill, and the retailer recovers his loss. Why should

information industries be any different? Infringement is one of the

legitimate costs of doing business and industry can respond by

raising prices to recover those losses as an alternative strategy

to encryption.



5."An explicit right to make available will enhance the abilities of

rights owners to control the unauthorized exploitation of their

works over the Internet."



This position addresses only the rights holders side of the

equation and not the consumer side. Adequate copyright legislation

should address both sides in a balanced fashion. What exactly are a

users right to make copies of a copyright work for personal use? Is

he entitled to make the work available to himself? What exactly is

personal use? Educational use? With respect the digital domain, it

is important to define what a 'work' and what a 'copy' are.

'Intention' and 'use' may also have to be defined. Industrial era

concepts, based upon physical objects, will not map adequately

onto the digital domain. For example, is an original sound file the

same as its MP3? The latter has a lower bit count and is therefore

not an identical copy, but, is perhaps, a derivative of the original.



As well, we have to examine what is meant by a rights

owner's control over digital technology and the design of computers

in general. To what extent does it imply control over a users

computer? The notion that content should regulate the computing

industry is ludicrous. Messages do not design their media.



Finally, for the sake of clarity, it is not the intent of

this submission to support the unauthorized exploitation and

duplication of works by agencies such as Napster. Furthermore, this

submission explicitly supports the rights of content creators to

profit from their endeavors as currently allowed under copyright

legislation. But it definitely does not support the criminalization

of mathematics or the repression of technology and its legitimate

use or the loss of free speech. The present submission, from IPIC,

is nothing but a vague, unbalanced, inadequately developed

endorsement of the DMCA. Until IPIC can be specific, Canada has

much to fear from such a proposal, because of its impact on other

aspects of computing and its grave potential for significant

injustice.



William G. McGrath

(Address removed)



Share this page

To share this page, just select the social network of your choice:

No endorsement of any products or services is expressed or implied.